This way, his practice engages with questions of ancestral lineage and identity while refusing to stabilize them. Existential reflections, like the Afro-diasporic experience, are not treated as themes, but as conditions that show how he thinks, works, and constructs images.  Each piece is built through layering, erasure, and displacement, bringing together fragments from different visual and cultural histories that insist on retaining their complexity.  

Dos explores painting not only as image-making, but as a method for translating experience across cultures. He has exhibited in Germany, Denmark, Egypt and Brazil to name a few and attended the Playing With Ghosts Residency organised by Aarhus University in 2024. Felis approaches art-making as a dialogical practice, integrating mediation and exchange as active elements in both the making and circulation of his work.